SERVICES — 06 · Finishing

Post-Production & Retouch

The invisible half of every image. Edit, color, retouch, and master — frame by frame, never batch-processed, always ready to perform.

Editing monitors and a control surface in a dark suite Black and white close-up of a mixing desk

Senior-only post: editors, colorists, and retouchers who shot the work or wish they had.

What’s included

Editorial edit

Story-first cuts with structured review rounds and versioned deliveries.

Color grade

Show looks built per project, matched across film and stills.

High-end retouch

Skin, fabric, and product work that disappears — nothing plastic, ever.

Master & archive

Platform masters, broadcast specs, and a searchable archive of everything.

The process — four steps

  1. 01

    Ingest & assembly

    Backed up three ways, synced, and assembled for first review within days.

  2. 02

    Director’s pass

    Our cut first — the version we believe in, before notes.

  3. 03

    Refinement rounds

    Two structured rounds with you: story, then polish. No endless versioning.

  4. 04

    Finish & master

    Grade, mix, retouch, and every export your channels require.

“The grade alone was worth the fee. Everything else felt like a bonus.”

Priya Raman — Co-founder, Common Goods Co.

Good to know

Questions, Answered.

Yes — roughly half our post slate is footage shot by others. We start with an honest assessment.

Invisible. We remove distractions and honor texture; we never reshape bodies or fake product.

Via a private gallery with full-resolution downloads, plus an archive link that stays live for two years.

Start here

Book Post-Production & Retouch.

Thirty minutes, your product, our treatment within a week. Fixed quote, no discovery fees.